{"id":9,"date":"2011-04-26T14:02:56","date_gmt":"2011-04-26T14:02:56","guid":{"rendered":"http:\/\/aktuell.artsteps.de\/?page_id=9"},"modified":"2026-01-11T08:46:41","modified_gmt":"2026-01-11T08:46:41","slug":"vita","status":"publish","type":"page","link":"https:\/\/www.artsteps.de\/?page_id=9","title":{"rendered":"CV"},"content":{"rendered":"<p>BIOGRAPHY\u00a0 SILVIA M. PHILIPP<\/p>\n<p><strong>studied art and worktechnics with completition in Munich with residences in Berlin, Rom, London, France, Scotland and Toscana. She complicated her artistic development with studies in the range of sculpture, installations, dancinng,\u00a0 digital film and lyrics. <\/strong><strong>\u00a0<\/strong><\/p>\n<p><strong>In Italy and Germany she met, studied and worked with Ben Patterson, afterwards with Inge Broska.<br \/>\n<\/strong><\/p>\n<p><strong>\u00a0<\/strong><strong>With the world wide art-action \u201csteps into the next\u00a0 millennium\u201d, she invited people all over the world to take part. With her White Boots she created an unique- countries- connecting- historical -work of art. <\/strong><\/p>\n<p><strong>Everybody\/everything\u00a0 make steps: from a baby to an adult, from the beginning of evolution to now.<\/strong><\/p>\n<p><strong>Humanity\u00a0 and its life in combination with the mutual influence is often in the center focal point of her work. Silvia Maria Philipp connects philosophical thoughts with science and society aspects. <\/strong><\/p>\n<p><strong>After watching and studying she replaces impulses, expresses in interdisciplinary ways from science details to fluxus &#8211; to include people-to look for answers.<\/strong><\/p>\n<p><strong>Her art is a contrast to \u201cfast-moving life\u201d, she asks for, she looks forward, back, reflects and stimulates to intensively deal with a topic.<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Besides her international art-actions and exhibitions (like IN THE NAME OF THE FUGGER\u201d, \u201cGUTES VERSCHWENDEN-WASTING GOOD THINGS\u201d, Mary solving the knots\u201d, \u201cJOURNEY OF LORELEY\u201d,\u00a0 \u201cKatharina von Bora-TABLE TALKS\u201d she organized the first women finance congress and\u00a0 curates exhibitions.<\/strong><\/p>\n<p><strong>Silvia M. Philipp is invited to many festivals, institutions, exhibitions and projects like <\/strong><\/p>\n<p><strong>Biennale, Valencia, Ven.(2005),<\/strong><\/p>\n<p><strong>UNESCO(2002), UN (2011), \u201cHouse of History of the Republic of Germany\u201d, Bonn\u201d,\u201cMiniartextil\u201d, Como, Italy, \u201cSalon de Ville Paris\u201d,\u201dMuseum van Bommel, Netherlands\u201d(2005), \u201cHommage a John Cage\u201d(with the Bald Girls 2014),<\/strong><strong>, Performance Day, Wiesbaden, ART-LIVE TOUR (Athen-Venedig-Kassel- M\u00fcnster(2017)Internationale Triennale of Paper Art (2018), BTHVN 2020 &#8211; Jubilee(2020), 9th and 8th International Geoje Art Festival, Haegeumgang Museum, South Korea(2022\/2023),Year of Quantum, Kim Boseong Art Center, Seoul, South Korea (2026)<\/strong><\/p>\n<p><strong>\u00a0<\/strong><strong>&#8230;<\/strong><strong>\u00a0international working, awards for art and work<br \/>\n<\/strong><\/p>\n<p>presented in newspapers, journals,TV, radio<\/p>\n<p><strong><u>CV-SHORT (SELECTION)- SILVIA M. PHILIPP<\/u><\/strong><\/p>\n<p><strong>Studies<\/strong>: &#8222;Studied art and worktechnics in Munich with completition residencies in Berlin, Rom, London, France,\u00a0 Scotland, Toskana,\u00a0 Studied digital film with completition,<br \/>\npupil of Inge Broska and Ben Patterson<\/p>\n<p><strong>Exhibitions:<\/strong><\/p>\n<p>2025\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Year of Quantum- &#8222;Quantum 25- Collage at all&#8220;, Germany<\/p>\n<p>&#8222;Eden XS&#8220;, Haegeumgang Theme Museum, Yukung Art Museum, South Korea<\/p>\n<p>Kim Boseong Art Center, Seoul, South Korea<\/p>\n<p>&#8222;Sheroes&#8220;, Frauenmuseum Bonn, Germany<\/p>\n<p>2024\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 &#8222;NATURE TALKS&#8220;<\/p>\n<p>selected artist for the 10th Geoje\u00a0 Art Festival,<\/p>\n<p>Haegeumgang Theme Museum, South Korea<\/p>\n<p>&#8222;Recontres Europ\u00e9ennes&#8220; Bourges,France<\/p>\n<p>2023:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 9\u00a0 th Geoje Art Festival,\u00a0 &#8222;Love Beethoven MEETS SOUTH\u00a0\u00a0\u00a0\u00a0 KOREA&#8220;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Internat. Exhibition Haegumgang Theme Museum,South Korea,<\/p>\n<p>\u201cWenn nicht mehr Zahlen und Figuren\u201c, new interpetations of NOVALIS,<\/p>\n<p>\u201eBest Age\u201c, Frauenmuseum Bonn, Germany<\/p>\n<p>2022:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art-program\u00a0 to the cinema-film \u201c 50 Uhr\u201d, premiere 2022, Neuer S\u00e4chsischer\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kunstverein, Leipzig, Dresden, \u2026., Germany<\/p>\n<p>2022:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 8 th Geoje Art Festival,\u00a0 \u201cCall for Euripides: WAR, PEACE AND EXISTENCE\u201d\u00a0 Internat. Exhibition Haegumgang Theme Museum,South Korea<\/p>\n<p>2022: \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Jeongeup International Art Festival, South Korea<\/p>\n<p>2021 :\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 International Filmfestival IFTF 2021, \u201e Frankfurt, Germany<\/p>\n<p>2020:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Selected artist for the Beethoven-jubilee, BTHVN2020 with \u201cLOVE BEETHOVEN&#8220;<\/p>\n<p>2018:\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0International Triennale of Paper Art, Museum of Deggendorf, Germany<\/p>\n<p>2017:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art-Live-Tour ,Athen-Greece, Venice-Italy, Kassel- M\u00fcnster, Germany<\/p>\n<p>2014:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cHommage\u00a0 a John Cage\u201d Wiesbaden, Germany<\/p>\n<p>2013\/14\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u201eWasting good Things\u201cart project planting good things and thoughts<\/p>\n<p>Bavarian Climate Week, ministry Bavaria, Germany,\u2026)<\/p>\n<p>2011\/12\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cIn the name of the Fugger\u201d\u201d Travelling Exhibitons, art actions in Europe(Augsburg,\u00a0\u00a0\u00a0\u00a0 Bonn, Frankfurt, Germany Austria, Noli, Venezia, Italy\u2026)<\/p>\n<p>2005 :\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cMiniartextil\u201d, Como, Italy, Salon de Ville Paris\u201d, France, \u201dMuseum van Bommel,\u00a0 NL<\/p>\n<p>2002:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Installation for UNESCO-World-Heritage around the Loreley-Rock,<\/p>\n<p>2002\/2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cJourney of Loreley\u201c (Suisse, Germany, NL) art action, installations,performances<\/p>\n<p>2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eErhobenen Hauptes\u201c, Berlin(National Gallery, museum of\u00a0 contemporary art, Pergamonmuseum, Communal Gallery, Berlin, Germany (with women museum),<\/p>\n<p>till present\u00a0\u00a0\u00a0\u00a0 \u201cSteps into the next millennium\u201d worldwide artaction in Europe, Asia, India, America..<\/p>\n<p><strong>Appointments (selection):<\/strong><\/p>\n<p>2022, 20232024, 2025\u00a0 selected Artist Haegeumgang Theme Museum, South Korea<\/p>\n<p>2020\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Selected artist for BTHVN 2020, Germany<\/p>\n<p>2016 -present\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 jury member for the science\u00a0 price (arts and humanities), Augsburg, Germany,<\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201c100-years-Maria-Patrona \u2013Bavariae\u201d, Episcopal Union, Augsburg, Germany<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Member of the think-tank of ADMIRE A3, \u201cdevelopment in the sign of great\u00a0 transformation<\/p>\n<p>University of Bayreuth, region A 3, Germany<\/p>\n<p>2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Member Centre of Competence of the Creative Economy of the Republic of Germany,<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 UN,\u00a0 participation for the UN-Convention for human rights, Schweinfurt, Germany<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 President\u201eForum Zukunft f\u00fcr Alle e.V.\u201c, Augsburg Germany<\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 International Stock Market of Frankfurt, Germany<\/p>\n<p>2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Paula \u2013 Moderson \u2013Becker-Jubilee, Bonn, Germany<\/p>\n<p>2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 House of History of the Republic of Germany, Bonn, Germany<\/p>\n<p>2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Member German authors<\/p>\n<p>2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201cwta-Biennale\u201d, Quinta Isabela Museum,Biennale Valencia\/Ven.<\/p>\n<p>2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ministry of Family, Republic of Germany<\/p>\n<p>2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Unesco- Heritage, Forum Mittelrheintal, Germany<\/p>\n<p>till-present\u00a0\u00a0\u00a0 Curator for national and international exhibitions, art projects, interdisziplinary projects<\/p>\n<p>2000\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Founder of the art-community artsteps,<\/p>\n<p>2000\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ausw\u00e4rtiges Amt of\u00a0 the Republic of Germany,<strong>\u00a0<\/strong><\/p>\n<p><strong>SINGLE EXHIBITIONS, SINGLE PROJECTS (CHOICE)<\/strong><\/p>\n<p>2026\u00a0 &#8222;Ich werfe nicht das Handtuch&#8220; &#8222;I don\u00b4t throw the towel&#8220; poetry and drawings<\/p>\n<p>2025&#8243; Year of Quantum- &#8222;Quantum 25- Collage at all&#8220;, Germany<\/p>\n<p>2021 \u201eAU-TO-HAUS\u201c (Projekt Maschera),<\/p>\n<p>2017 \u201eKatharina von Bora- TABLE TALKS\u201c<\/p>\n<p>Invitations to: Richard Williams, Gerrit von Velsen, Iny und Elmar Lorentz, Isabel Hernandez, Kiddy Citny, Jakob de Chirico, Vincenzo und Gennaro Castaldo, Inge Broska, Brandstifter,\u2026.<\/p>\n<p>2016 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u201cDie Spur der Umspannwerke\u201d,D\u00e4nmark<\/p>\n<p>200014 , Venezia, City of Venezia, Italy<\/p>\n<p>2015 \u201eLooking for Maria\u201c- Bistum Augsburg, \u201eMaria Knoten\u00f6serin- Mary solves the knotes\u201c selected artist, art-action in whole Bavaria,<\/p>\n<p>100 Jahre Maria Patrona Bavariae, Dome, Rathausplatz, Augsburg<\/p>\n<p>2014 \u201eLIFE LINES\u201c,Dresden-Prag<\/p>\n<p>2013\/14\u00a0 Finance congress, art actions to save peace in Euroland, Europe<\/p>\n<p>\u201eWASTINGGOODTHINGS\u201cart project planting good things and thoughts (f.e.: Bavarian Climate Week, on the Border Germany and Denmark\u2026)<\/p>\n<p>2011\/12 \u201cIM NAMEN DER FUGGERIN\u201d Travelling Exhibitons, art actions in Europe(Augsburg, Bonn, Frankfurt,Germany Austria, Noli, Venezia, Italy\u2026)<\/p>\n<p>2011\/12\u201cGOOD OLD WOMAN\u201d, Augsburg, Parit\u00e4tischer Stift, Augsburg, Frauenmuseum, Bonn, Schweinfurt, Germany<\/p>\n<p>2009\/10 \u201eNTT\u201c, Mohr-Villa, Performances, installions and pictures, Munich, Germany<\/p>\n<p>2002\/2003 art action\u201cJourney of Loreley\u201c<\/p>\n<p>A country-connecting journey only on the water by ships and boats! Performances in Schaffhausen, Suisse, Rheinfelden, Basel,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Installation for the Mayor House of Konstanz, Germany\u00a0 and for the UNESCO \u2013 WORLD-HARITAGE around the Rock of Loreley<\/p>\n<p>2001\u201dUnder foreign stars\u201d, dialogue and call for tolerance\u201d, Augsburg, Germany<\/p>\n<p>from 1999 till now<\/p>\n<p>2000, art actions (International book mess, Leipzig, Circus Roncalli,Germany Narbonne, France, art senate of Hamburg, Germany Prof. Ernst Fuchs, Vienna, Austria, Ugo Dossi, Jacob de Chirico,Meran, Italy, Ben Patterson,<\/p>\n<p>1999 \u201eGenial\u201d D\u00fcsseldorf, Germany<\/p>\n<p>Worlwide peace initiated art action in Europe, America\u2026:\u00a0 \u201cSteps in the next millennium\u201d<\/p>\n<p>Art actions and performances f.e.:<\/p>\n<p>Concarneau, Pont Aven, Frankreich<\/p>\n<p>Schritte\u00a0 ins n\u00e4chste Jahrtausend,<\/p>\n<p>(u. a.\u00a0 till to Nelson Mandela, Bill Clinton&#8230; ) -&gt;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201eSteps into the next millennium\u201d performances, installations (u.a.City Hall, N.Y.; Canada, Asia, Australia, New Zealand, India<\/p>\n<p>2011\/12\u201cGOOD OLD WOMAN\u201d, Augsburg, Parit\u00e4tischer Stift, Augsburg, Frauenmuseum, Bonn, Schweinfurt, Germany<\/p>\n<p>2011\/12 \u201cIM NAMEN DER FUGGERIN\u201d Travelling Exhibitons, art actions in Europe(Augsburg, Bonn, Frankfurt,Germany Austria, Noli, Venezia, Italy\u2026)<\/p>\n<p><strong>COMMON EXHIBITIONS (CHOICE):<\/strong><\/p>\n<p>2023: 9\u00a0 th Geoje Art Festival,\u00a0 &#8222;Love Beethoven MEETS SOUTH\u00a0\u00a0\u00a0\u00a0 KOREA&#8220;\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Internat. Exhibition Haegumgang Theme Museum,South Korea,<\/p>\n<p>\u201cWenn nicht mehr Zahlen und Figuren\u201c, new interpretations of NOVALIS,<\/p>\n<p>\u201eBest Age\u201cFrauenmuseum Bonn, Germany<\/p>\n<p>2022 art-exhibition and \u2013program for the cinema film \u201c50 Uhr\u201d Leipzig, Dresden\u2026, Germany\u201cIn common\u201d, movie united, Germany-Europe<\/p>\n<p>\u201cOpen Art Festival\u201d Freiburg, Germany<\/p>\n<p>\u201cArt on the river\u201d 111, D\u00fcsseldorfer artists, Werfthalle on the harbour, D\u00fcsseldorf,Germany<\/p>\n<p>2022 8th Geoje Art Festival\u201cCall for Euripides: WAR, PEACE AND EXISTENCE\u201d Internat. Haegumgang Theme Museum, South Korea<\/p>\n<p>2022Jeongeup International Art Festival, South Korea<\/p>\n<p>2021 International Filmfestival IFTF 2021, Pandoras BoxWomxnPerformingSelves<\/p>\n<p>\u201ewomen in Corona Times\u201c, Frankfurt, Germany<\/p>\n<p>\u201eLangeweile im Paradies\u201c\u00a0 Frauenmuseum Bonn, Germany<\/p>\n<p>Three videos are in the collection of Archive of Museum Erding, Germany<\/p>\n<p>Iteration II, W\u00fcrzburg(with project of M. Peschke), Germany<\/p>\n<p>2020 \u201eLove Beethoven\u201c (BTHVN2020) Frauenmuseum Bonn, Open-Art-Festival, Freiburg,<\/p>\n<p>\u201eCOCOONING-TIMES\u201c(Frauenmuseum Bonn)<\/p>\n<p>2019 \u201cAufbruch in die Moderne\u201d,\u00a0 Frauenmuseum Bonn, Germany<\/p>\n<p>\u201eRettungsplan\u201c, \u201eDas Murmeltier\u201c<\/p>\n<p>Nomination for the monument against force<\/p>\n<p>2018\u00a0 Shave and talk to myself, with Yingmei Duan(Abramovic artist)<\/p>\n<p>\u201cFreundinnen\u201d mit Yingmei Duan, women museum, Bonn<\/p>\n<p>\u201eHouse of cards-KARTENHAUS\u201c Intern. Triennale of Paper Art, museums of Deggendorf, germany<\/p>\n<p>2017 \u201ePerformance Day\u201c, Wiesbaden<\/p>\n<p>\u201e Pr\u00e4senz-Utopie\u2026.\u201c, City Castle of Stuttgart<\/p>\n<p>\u201ewomen in reformation\u201c , Bonn<\/p>\n<p>\u201eUrauff\u00fchrung\u201c(with B. Neufeldt und Anne van de Vring), Germany<\/p>\n<p>LIVE-ART-TOUR 2017, Athen,Greece,\u00a0 Venice-Italy Kassel, M\u00fcnster, Germany<\/p>\n<p>\u201eTaste of Life \u201c, Frauenmuseum, Bonn, Germany<\/p>\n<p>2016 \u201eSUPER WOMEN\u201c, Bonn, Germany<\/p>\n<p>Performance Days Wiesbaden, Germany<\/p>\n<p>\u201eShave\u201c 5 th Taiwan, internat. Video Art Exhibion , Taiwan<\/p>\n<p>2015\u00a0 Art Hall z8T, \u201cHallali(\u201eGood Bill Hunting\u201c), Germany<\/p>\n<p>2014\u00a0\u00a0 &#8222;Single Moms&#8220;, Bonn,<\/p>\n<p>\u201eEUROPEANS\u201c,Meran, Italy<\/p>\n<p>\u201eHommage a John Cage\u201cmit den Bald Girls<\/p>\n<p>2013\u00a0\u00a0 \u201eWHO WAS MONA LISA?\u201c, Bonn<\/p>\n<p>,\u201eEVO\u201c, Bonn, &#8222;MONETA&#8220;,Brunico(Italy), Bremen, Schw\u00e4bisch Gm\u00fcnd, Aalen,\u00a0\u00a0 Gifthorn, Germany<\/p>\n<p>Toscan Hall, Luxemburg<\/p>\n<p>2013 in the\u00a0 Museum of Textiles, Bocholt, Germany<\/p>\n<p>Selected artist for the UN Convention for the Rights of Human: GOOD OLD WOMAN, Schweinfurt, Augsburg, Bonn,\u2026Germany<\/p>\n<p>2012\u00a0\u00a0 \u201eMONETA\u201c, Meran, Italy, Augsburg,<\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0 \u201ethe zip-association\u201c, , Museum of Textiles Krefeld, Germany<\/p>\n<p>2010\u00a0\u00a0\u00a0\u00a0 , \u201eMONETA\u201c, Frauenmuseum, Bonn<\/p>\n<p>2009\u00a0\u00a0\u00a0\u00a0 \u201eMethusa\u201c, Frauenmuseum Bonn, Germany\u00a0 \u201eGlobal Queen\u201c Kreismuseum Heinsberg, Germany<\/p>\n<p>2008 \u201cbiro limited editon\u201d, Venlo(NL),\u00a0 \u201cMP 60\u201c\u00a0 Frauenmuseum Bonn, Germany<\/p>\n<p>2007, \u201eEden\u201c Toscan Hall, Augsburg , forward Oxford, GB<\/p>\n<p>Selected artist: Paula Modersohn- Becker-Hommage<\/p>\n<p>2006 \u201eBathing-Cap-Society\u201c,gallery Gasthuisstraat, Venlo, NL,<\/p>\n<p>2005\u00a0\u00a0 \u201eMiniartextil\u201c, Como\/Italien, \u201eBiennale\u201d, Quinta Isabela Museum, Valencia\/Ven., Salon de l`Hotel de Ville, Paris , Museum van Bommel , NL<\/p>\n<p>\u201e Mythos Mutter\u201c, women museum Bonn<\/p>\n<p>Selected artist for the House of History of the republic of Germany (Ministry of Family, Republic of Germany)<\/p>\n<p>2004\/\u00a0 Kunstpostkarte NRW, Kunsthalle Duisburg, Germany \u201cthe bag-incorporation\u201d, virtual gallery, Netherlands<\/p>\n<p>2001 \u201eErhobenen Hauptes\u201c, Berlin(National Gallery,Museum of\u00a0 Gegenwartskunst. Pergamonmuseum, Communal Gallery ,Berlin, Germany, performance during the nights oft he museums with women museum, zart &amp; zackig)<\/p>\n<p>Work in OFFICIAL OWNER (choice):<\/p>\n<p>Haegumgang Theme Museum, South Korea<\/p>\n<p>City of New York, City of Concarneau, city of Narbonne,<\/p>\n<p>City of Inverness ,senate of culture, Hamburg<\/p>\n<p>Women Museum, Bonn, House of History of the Republic of Germany,<\/p>\n<p>Frauenmuseum Bonn, Hausmuseum Otzenrath, Museum of Erding<\/p>\n<p>More works in private collections<\/p>\n<p>COOPERATIONS AND INVITATIONS:<\/p>\n<p>Jakob de Chirico, Inge Broska, Ben Patterson,Yingmei Duan, Marianne Pitzen, Ugo Dossi, Prof. Ernst Fuchs, Vienna, Kiddy Cittny, &#8230;<\/p>\n<p>REFERENCES (EXTRACT):House of History of the Republic of Germany, Ausw\u00e4rtiges Amt of\u00a0 the Republic of Germany, Senat of Culture, Hamburg,Forum Bildungspolitik<\/p>\n<p>UNESCO,UN,Trade Camber of Sueben,Forum Mittelrheintal,<\/p>\n<p>Ministry of Family,Republic of Germany, Women museum Bonn and Meran, International Book Mess of Leipzig, House museum of Otzenrath, International Stock Market of Frankfurt<\/p>\n<p>Bookmess of Frankfurt, Centre of Competence of the Creative Economy of the Republic of Germany, Admire\u2026<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BIOGRAPHY\u00a0 SILVIA M. PHILIPP studied art and worktechnics with completition in Munich with residences in Berlin, Rom, London, France, Scotland and Toscana. She complicated her artistic development with studies in the range of sculpture, installations, dancinng,\u00a0 digital film and lyrics. &hellip; <a href=\"https:\/\/www.artsteps.de\/?page_id=9\">Weiterlesen <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.artsteps.de\/index.php?rest_route=\/wp\/v2\/pages\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsteps.de\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.artsteps.de\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsteps.de\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsteps.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9"}],"version-history":[{"count":14,"href":"https:\/\/www.artsteps.de\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":951,"href":"https:\/\/www.artsteps.de\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions\/951"}],"wp:attachment":[{"href":"https:\/\/www.artsteps.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}